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File: 1728796141785.gif (190.9 KB, 256x256, Celestia+Luna.gif)

Does anyone wanna chat about MLP? Nother Nonymous (ID: 29b68f)Country code: us, country type: geoip, valid: 1  459

Gen 5 appears to be on its way out. Maybe this is a good time to talk about what made Gen 4 so hugely better than the other generations of MLP, with an eye toward helping to bring an equally great G6 into being. Here are two major factors:

1. Poetic but hard-nosed and consistent world-building for a world of horses from Faust and the other early showrunners. No sticky hooves. No electricity. No motors. Trains pulled by ponies. Mouthtools. Typewriters with only two keys. A richly fantastic world, but one that incorporates madness, disease, war, blood, bodily functions, birth, and death. The pure initial world picture tended to get messed up as the show wore on and things like go-carts and pianos crept in, but it started out clean and beautiful.

2. Archetypes. Two semi-divine beings, larger than other ponies: a goddess of sunlight and a goddess of darkness and dreams. Three races, corresponding to the three castes of Indian society and Indo-European myth: magical shamans, warriors, peasants. Archetypal characters representing the shy willowy female, the bold androgyne, the mad trickster god, the amorous, male-manipulating vamp, and so on. Extensive and explicit incorporation of mythologies from all over the world.

What else?
This post was edited by its author on .

(ID: b0ae96)Country code: us, country type: geoip, valid: 1  460

File: 1728905910767.gif (1.92 MB, 400x345, 1395501986649.gif)

I haven't watched any of G5, but from what little I know about it, I would say they did the same thing they did in the G1>G2 transition. G1 and G4 frequently incorporated fantastical elements, and magic itself played a key function in both the show and in the daily lives of the ponies. In the transition to G2, the 'ponies' were really just Gen X human teenagers living human lives who happened to look like ponies. The same applies to G5, with the characters being insufferable Zoomers living Zoomer lives in a Zoomer reality, who just happen to look like ponies. If the pattern holds, G6 will be a horrible abomination of a kids show a la G3-3.5. Maybe hold out hope that G7 will be half decent again.

PonyPuristv3.0!SfBmcgDdTo (ID: abd8f2)Country code: blank.gif, country type: blank, valid: 465

It's a good show. I like the ponies.

Nother Nonymous (ID: 29b68f)Country code: blank.gif, country type: blank, valid: 467

File: 1729275208508.jpg (56.72 KB, 511x498, Pinkie_egad.jpg)

>>460
Hm. So the pattern goes Fantasyland--> teenyboppers for 8-year-olds--> Teletubbies--> Fantasyland--> teenyboppers for 8-year-olds...

Yeah, I see what you mean. We're in for a year or two of Tinky Winky and Laa-Laa, if inductive reasoning is any guide.

Nother Nonymous (ID: 29b68f)Country code: blank.gif, country type: blank, valid: 475

File: 1729633280156.png (1.28 MB, 2286x1302, Screen Shot 2024-10-22 at 5.40…)

G5 is now officially over. It says so on EQD, so it must be true.

(ID: f3ec2c)Country code: blank.gif, country type: blank, valid: 483

File: 1730301137599.gif (3.05 MB, 616x688, new9.gif)

>>475
I really liked the G5 movie, but other than that... uneventful.

Anonymous (ID: b613ab)Country code: blank.gif, country type: blank, valid: 496

>>459
The three archetypes also sort of mirror the traditional division in European society. Those that pray, those that fight, and those that work. The church at that time would also represent all of the academics though, so it sort of maps on with Twilight.

But in Hearthswarming Eve, the division is more like aristocracy, peasantry and army. And Rarity is definitely more aristo than academic. Either way it has a strong medieval feel because of that.

>>460
I sort of have hope that they might still value the brand enough not to churn out low effort junk like G3.5


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